Date Released : 17 September 2012
Genre : Action, Comedy, Crime
Stars : Shion Sono." />
Movie Quality : BRrip
Format : MKV
Size : 870 MB
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Review :
Experimentation and Existentialism
Sion Sono's "Bad Film" is an exploration of human nature in cultural conflicts. The central themes are racism, homosexuality and violence. The characters are marginal misfits who make mayhem in various neighbourhood of Tokyo. The central dilemma of the high-density Chinese immigrants who are perceived as a threat especially as the 1997 Handover of Hong Kong to China is looming, coupled with the more comically-toned fear of "Blacks" for their hypothetically huge penises and ensuing vagina-stretching paranoia for the poor Japanese girls from their "protecting" male counterparts.
The long movie follows a rather typical gang attacks gang pattern with periods of peace and respite, but despite its shortcomings and simple story, it shines with bouts of beautiful artistic cinematography (especially for the budget and guerilla-style street film-making) and engaging, endearing and strange characters. It also showcases Sono's humour, innovation, eclectic vision and symbolic synthesis.
The soul-searching in society's fringe is evident and the sedated pace allows for much reflection. At part life-affirming and at parts looking- glass alarming, this examines the essence of being alive in our melodramatic times.
The racist dialogue is consistent with typical bigotry, ignorance and fear anywhere in the world, but there is a well-researched and executed scene where the two warring interpreters discuss the merits and underachievements of China versus Japan in a more didactic and less derogatory way which is extremely effective. The other memorable scenes are the visceral eye-stopping "Slap Scene" and the various non-sexual lesbian scenes between the two "Juliette & Juliette" of the rival clans. The music and editing work well in most part and the ending brings closure to this epic episode, while not necessarily inducing change like epigenetics.
So this movie is no clear masterpiece as Canadian "Crash (2004)" did much better (and more subtly) evaluating our remaining racist societal compass, but it certainly pushes the boundaries in a beautiful and thoughtful way. All and all, it is a worthwhile, if at times long, watch.
It enviably sits in the same decadent universe as Sion Sono's "Hazard (2005)" which takes place in New York, versus the elaborate erotic worlds of "Strange Circus (2005)" & "Guilty of Romance (2011)" but does not completely achieve greatness like "Noriko's Dinner Table (2005)" and "Cold Fish (2010)" which are more refined on almost every level.
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